The book’s subtitle is A History of the World Through the Eye of a Needle. It is not grandiose or heavy, but rather an entertainingly written with focus sharply on those who have sewn textile art to tell stories.
Some stories were familiar and some completely unknown. Sewing features as part of war, propaganda, survival, protest.
The emotional connections between makers and their work emerge strongly. Particularly moving is the story of the Changi quilt, which Hunter visits at the Red Cross archive with a descendant of one of the makers. She notes that it was made by women prisoners of war in a Japanese camp in Singapore during the Second World War, to communicate with their men (who were held separately – see also here).
Hunter is interesting on her own making, and is a “banner-maker, community textile artist and textile curator”. The book is partly memoir. Her frequent focus on activism in the text is a bonus.
I had not heard of the stories of women in Chile, who used the sewing of arpilleras (embroidery on burlap) to protest against the Pinochet dictatorship. “The arpilleras depicted domestic scenes of loss: a woman standing by herself in the doorway of her home, a family mealtime with one empty place. There were also exterior scenes: a marketplace with no food on its stalls, unemployed youngsters scavenging for cardboard to sell, policemen making an arrest, a tree with pictures of lost relatives instead of leaves all backgrounded by the Andes mountains and a shining sun or bright moon” (p. 155 – see also this article).
Threads of Life will send you off on a bunch of reading jags, and also make you search for images of the works discussed. An illustrated version of the book with colour plates would be wonderful, but in the absence of that get ready to be introduced to the stories behind intriguing sewn art from all over the world.