“…I loved the past of archives, but there was no era of the past I had any inclination to visit with my actual human body, being rather fond of it having at least minimal rights and protections”. Cassie, the narrator of the title novella in The Office of Historical Corrections, is an officer at the new US Institute for Public History. She goes out and about correcting historical inaccuracy in the Washington area, a new civil service style job. But what happens when there is a total subversion or avoidance of truth, and some bodies are clearly in the firing line?
This is the best collection of short stories I’ve read in ages. Every one is sharp and entertaining. Claire is called out by a college colleague for wearing a Confederate flag bikini, but doubles down, and doubles down again – why? Cecelia’s mother is determined to get recognition for her father’s wrongful imprisonment in Alcatraz, but a visit to the former prison with estranged family happens instead. The end of Richard of York Gave Battle in Vain is one of my favourite endings to a short story.
Roxane Gay calls Danielle Evans “the finest short story writer working today”, and I think she’s on to something. Race, gender and grief feature over and over. I think this collection will be read for years and years.